Thursday, April 18, 2013

Yet More Introspection


An unusual blog entry, listening to Nirvana, drinking a glass of wine, 33,000 feet, and about 45 minutes into a flight to Singapore.  I never cease to marvel at the juxtapositions that modern life and in particular air travel creates, we move from place to place in the blink of an eye, from ice to sun, from never ending winter to perpetual summer.   However, long flights provide a gap, a space, in which to ponder where I am and where I am  going.  For 12 hours I am absent and unavailable, in an undefined transient space that whilst not terribly comfortable is somehow comforting, a cocoon insulated from the world.  So here is some random musing on photographic themes.

As I progress in my studies I am increasingly realising that art is not a theoretical study, an impersonal assessment or creation, but very much a reflection of the self, the individual.  Roughly a year ago I was closing up on my landscape course, ending a period of study that whilst personal was a lot to do with developing an understanding of place coupled with shape and form.  As I progress in social documentary I find that something of me must enter the photography, the problem I continually face is what and how.  Too much introspection and my work might become unintelligible, too little and it is banal and bland.  Recently I have gone back to shooting stuff that interests me, independently of whether I think it a subject worthy of "ART". (Metallica) Travel has become a theme, simply because I am traveling so much, but it is a part of me and one that I need to get into my work.

I feel that I am thinking too much about my work, not trusting enough in my own intuition.  This drove me into a dead end with my study of the Fest, the project that almost undid my course.  With Fest I thought too much about the outcome and not enough about the meaning.  I started hunting imagery that would meet a specific need rather than discovering photographs that carried their own message (Stone Roses).  This somehow lost me, I was shooting to order, my order, but not my soul.  Where am I going with this, I guess what I am trying to say is that I can only produce art if it reflects me and not the genre I am currently studying.   I can work within the confines of the course, I am a student after all, but I must produce stuff that I actually care about, there is little point otherwise.

In another 10 hours I will arrive in Singapore once more, a few weeks after I left, but this time it is a short stop off on a longer trip to the island of Negros in the southern Philippines, our annual 3 week vacation (Blur).  Seat 35A, Heidi in 35C, Mum in 35D, a 3:3:3, config 777 belonging to Singapore airlines.  Why, the detail, because it is relevant, it is where I am and where the people I love are.  In a sense this is what photography needs to be about, the little details that record the life we lead and document something trivial that might become meaning at a later date.  We are creating a progressive record of today, not tomorrow or yesterday, but today, this becomes more important to me as I get older and realise that time is a very finite element in my existence.  This is the essence of photography, the now, that becomes then!

Philosophy aside, this is also my annual opportunity to practice a form of photography that led to the OCA and then became secondary, underwater imagery.   For a change I am not pursuing any agenda with this trip, no assignment to follow, no world view to pursue, I want to get back to my roots and simply enjoy the challenge of capturing the majesty (too big a word, not sure) of the ocean (Lynyrd Skynyrd - new album?)  My mantra is colour, pure and simple, saturated, mad, obscene colour, but natural and real.  Recently I have tried to find meaning in my underwater photography, now I just want to enjoy the experience and create some memorable photographs.  I have new lightweight kit, very pleased so far, but it is not about kit, it is about finding the situation, the animal, the angle, and the light.

Really not sure about this trip and what I will find, but for once I really don't care, I am open to whatever comes along, documenting the dive base, maybe, the people of southern Philippines, possibly, odd looking slugs, well that is a given - I am a slug hunter, although we give them a posh name, Nudibranchs.

I will post this monologue when I get to our hotel in Singapore, I hope it makes sense, I do not plan to edit.   Oddly, though, I think this is where I need to be in this blog, less academic, more about motivation and soul.  Somehow the art gets lost in the technology and the critical theory!

4 comments:

  1. A very interesting post Shaun. I'm sure that you are right in repositioning your approach back to what really interests you photographically ad then building on it from that point rather than trying to force yourself into positions that don't feel like that quite fit.

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    1. Hi Pete, as you can probably tell by how long it took to reply, I am still struggling to get back into the groove, but I am persevering. Simply too many other activities going on at the moment

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  2. I have to ask this, does your mum go deep sea diving as well. I'll try not to feel inadequate if she does!

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    1. Sadly, no. We have tried to encourage her to give it a go, but no luck. She has never been very comfortable in the water and dropping down into 20m of it is a step too far. She does snorkle and has her own wet suit, so she already made quite a step. Seeing her first shark underwater was a thrill and something she was excited about rather than frightened of, so she is quite brave

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